Religious worshipping is the origin of ancient music and dance. Inspired by this idea, choreographer Dick WONG ponders the purposes of modern creative works. For him, modern dance is primarily about beliefs and secondly about rhythms of the body. This is a confrontation between the body and stage. Based on the body itself, WONG's The Rite of Spring explores the possibility of creativity as a ritual. What is it that the artists face: themselves, their audience, the environment, traditions, or life itself?