Artistic Director:
Danny Yung


Producer:
Terence Yeung


Assistant Producer:
Thomas Chan


Technical:
Cheung Fai


Creative Coordinators:
Wong Kwan Sun, David Yeung
Pun Tak-Shu, Dick Wong
Arthur Chiang, Bobby Sham
Craig Au-Yeung


Collaborators (On Stage):
David Yeung, Pun Tak-Shu
Dick Wong, Arthur Chiang
Bobby Sham, Craig Au-Yeung
Alan Tse, Chris Leung,
Mark Chiu, Ray Chan
Yuen Wing-Hei, Fok Ching-Fai
Wong Siu-Kwai, Wong Yue-Wai
Eugene Sham, Pia Ho
Janet Tong, Sara Law
Millie Wong, Lee Fung Ying
Joey Chan, Hashima Hamid
Salin Cheung, Jessie Pak
May Fung, Rosita Wu
William Tang, Desmond Yip
Michael Chan


Collaborators (Off Stage):
Mathias Woo, Roy Yip,
Helle Kwan, Stephen Lam
Mandy Chan, Vivian Lee
Terence Yeung, Wong Sun-Keung
Arthur Leung, Priman Lee
Derek Shek, Chan Yiu-Ming
Yan Ming Wai


Graphics:
Tenny Cheung, Matthew Wu


House Program Design:
Lui Lik 

 

 
The Sixth Year of the One Hundred Years of Solitude - Days And Nights Of Abstinence
Grand Theatre, Hong Kong Cultural Centre
21-22/7/1990

Presented by "A Dance.Spectacle Hong Kong", Urban Council
Produced by Zuni Icosahedron



The Sixth Year - Days And Nights Of Abstinence
 

“One Hundred Years of Solitude” the Nobel Prize-winning novel of 1982 by Gabriel García Márquez, the Colombian writer, is a masterpiece of Magical Realism. The book recounts the vicissitudes of life of a century in Latin America, depicting a history of colonialism, dictatorship and bloodshed in a most interesting and intriguing manner, with forgetfulness and solitude as themes.
 

One Hundred Years of Solitude has been in Zuni Icosahedron’s repertoire since the group’s inception in 1982, and is Zuni’s most representative series of works, with each of which depicting a distinctive aspect of Zuni’s artistic vision. On the stage, performers travel from left to right and point towards certain directions on their way. With “pointing” and “watching” as the vocabulary and “direction” and “action” as the motifs, episodes of a journey are developed: caravans, explorers, wedding ceremonies, carnivals, strikes, funerals, revolution – when put together, they weave a tapestry of a journey of all mankind.
 

The “One Hundred Years of Solitude Series” has induced a lot of ground-breaking elements into the fields of arts and theatre in Hong Kong with its unique and experimental artistic vision, its special style and structure, its unconventional theatre language and way of expression on stage. It has brought the art of theatre to a whole new level and has expanded itself into all humanities. 

 

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