Artistic Director: Danny Yung
Producer: Terence Yeung
Assistant Producer: Thomas Chan
Technical: Cheung Fai
Creative Coordinators: Wong Kwan Sun, David Yeung Pun Tak-Shu, Dick Wong Arthur Chiang, Bobby Sham Craig Au-Yeung
Collaborators (On Stage): David Yeung, Pun Tak-Shu Dick Wong, Arthur Chiang Bobby Sham, Craig Au-Yeung Alan Tse, Chris Leung, Mark Chiu, Ray Chan Yuen Wing-Hei, Fok Ching-Fai Wong Siu-Kwai, Wong Yue-Wai Eugene Sham, Pia Ho Janet Tong, Sara Law Millie Wong, Lee Fung Ying Joey Chan, Hashima Hamid Salin Cheung, Jessie Pak May Fung, Rosita Wu William Tang, Desmond Yip Michael Chan
Collaborators (Off Stage): Mathias Woo, Roy Yip, Helle Kwan, Stephen Lam Mandy Chan, Vivian Lee Terence Yeung, Wong Sun-Keung Arthur Leung, Priman Lee Derek Shek, Chan Yiu-Ming Yan Ming Wai
Graphics: Tenny Cheung, Matthew Wu
House Program Design: Lui Lik
|
|
The Sixth Year of the One Hundred Years of Solitude - Days And Nights Of Abstinence
Grand Theatre, Hong Kong Cultural Centre
21-22/7/1990
Presented by "A Dance.Spectacle Hong Kong", Urban Council Produced by Zuni Icosahedron
The Sixth Year - Days And Nights Of Abstinence
“One Hundred Years of Solitude” the Nobel Prize-winning novel of 1982 by Gabriel García Márquez, the Colombian writer, is a masterpiece of Magical Realism. The book recounts the vicissitudes of life of a century in Latin America, depicting a history of colonialism, dictatorship and bloodshed in a most interesting and intriguing manner, with forgetfulness and solitude as themes.
One Hundred Years of Solitude has been in Zuni Icosahedron’s repertoire since the group’s inception in 1982, and is Zuni’s most representative series of works, with each of which depicting a distinctive aspect of Zuni’s artistic vision. On the stage, performers travel from left to right and point towards certain directions on their way. With “pointing” and “watching” as the vocabulary and “direction” and “action” as the motifs, episodes of a journey are developed: caravans, explorers, wedding ceremonies, carnivals, strikes, funerals, revolution – when put together, they weave a tapestry of a journey of all mankind.
The “One Hundred Years of Solitude Series” has induced a lot of ground-breaking elements into the fields of arts and theatre in Hong Kong with its unique and experimental artistic vision, its special style and structure, its unconventional theatre language and way of expression on stage. It has brought the art of theatre to a whole new level and has expanded itself into all humanities.
|