The theatrical boundary of sentiment has long been trespassed. Inside theatre, everything is liable to becoming dialectic. The place is comparable to man's left brain, a grid of logic, refusing to let go of intellect. Inside theatre, every mobile installation must either be symbolic or metaphoric, 2 people, safely wrapped up in darkness, are to scrutinize the meaning of all that's happening under the dizzling lights.

These three nights present an ascend or a descend (like moon tide) leading people to return to or exit from the mystics of pre-existence.

First night, everything begins with "darkness" and "non-existence".
Second night, everything continues with "light" and "existence".
Third night, everything moves from impairment to the gridless state of pre-existence.